Why did the 1905 Russian Revolution break out Essay Example for Free

Why did the 1905 Russian Revolution break out Essay The 1905 Russian Revolution was the first of the revolutions that took place in attempt to overthrow Russias Tsarist (or Imperial Autocracy) regime. The revolution broke out in 1905 because of the public unrest and economic depression caused by the Russo-Japanese war in 1904-5; and because of the Bloody Sunday of January 9th, 1905. The significance of the 1905 Revolution was determined by the October Manifesto, which was the Tsars response to the revolution, and by the Tsarist-opposing parties realisation after the Tsars issuing of the Fundamental Laws. In 1904 the Tsar Nicholas IIs Minister of the Interior, Plehve, recommended to him that Russia expanded its Empire in the Far East and in doing so create a small victorious war to stop the revolutionary tide. The resulting Russo-Japanese war was a failure for the Russians, as the Japanese seized Port Arthur and destroyed most of the Russian fleet. The war ended in 1905 with Russia defeated by Japan. Although the resulting peace treaty (the Treaty of Portsmouth) was relatively easy on the Russians, the defeat was humiliating as Japan was only a second-rate power and should have been easily defeated by Russia, one of the five great powers of the time. The war itself caused significant economic strife in Russia, creating food shortages and mass unemployment. This, added to the public opinion that the war with Japan had been completely unnecessary, created unrest among the Russian population, and many of those who were upset blamed the Tsar. On January 9th 1905 the Leader of the Assembly of Russian Factory Workers, Father Gapon, led 150,000 workers to the Winter Palace in St. Petersburg to hand the Tsar (also known to the people as the Little Father of Russia) a petition asking for the release of political prisoners; freedom of speech, press, meetings and conscience in religion; universal and compulsory education; responsibility of the ministers before the people; and equality before the law of all. The Assembly of Russian Factory Workers was tolerated by the government because the police had several informers -including Father Gapon himself- in the group. However, on the workers arrival at the palace, the troops there opened fire on the mass, killing more than a hundred of the demonstrators. This caused the Russian view of the Tsar as their Little Father to be completely shattered and produced a great deal of unrest and  sympathy strikes, leading to the 1905 Russian Revolution. One significant effect of the 1905 Revolution that brought about political change was the Tsars response to the revolution. In order to appease those who would overthrow him, Nicholas II set up a Duma (Russian Parliament) under the October Manifesto of 1905, as well as a set of constitutions granting freedom of conscience, speech, meeting and association and promising that in future no one would be imprisoned without a trial. Although many Russians felt that the Manifesto was not enough of a reform, the small step towards democracy was also seen as a basis for further development, and was enough to put an end to the revolution. The first and seconds Dumas were dissolved by Nicholas as they contained too many radicals from parties such as the Mensheviks, Bolsheviks, Octobrists and Constitutional Democrat Party. However, these first two Dumas allowed the Russian people to discuss and vote on issues, which to them was the slow beginning of a democracy, and was very significant in bringi ng about political change. The fact that the October Manifesto was meant by the Tsar not to bring about change to Russia, but to stall for time, was made clear to the Russian population when Nicholas II issued the Fundamental Laws in 1906. These laws stated that The Emperor of all the Russias possesses the supreme autocratic power, and The Emperor approves laws; and without his approval no legislative measure can become law. While the Fundamental Laws also confirmed the rights granted by the October Manifesto, they sent out the message that while the Tsar had granted the Russians a Duma, Russia was still very much an autocratic country, and that the Tsar could take away the Duma any time he wished. After these Laws were issued, Tsarist-opposing parties such as the Mensheviks and the Bolsheviks realised that there could be no real political change in Russia while the Tsar was still in power. This idea, brought about by the Fundamental Laws, was of crucial significance in bringing about political change in Russi a. In conclusion, the 1905 Revolution broke out in Russia because of unrest and the depression caused by the Russo-Japanese war in 1904 to 1905; and because  of the Bloody Sunday on the ninth of January, 1905. The 1905 Revolution was of important significance in bringing about political change by 1912 because the Duma granted by the October Manifesto allowed the Russian people to get their first taste of democracy, and because the Fundamental Laws issued by the Tsar the following year made them realise that in order to bring about political change, they must overthrow Nicholas II, Tsar of Russia. Bibliography: Lenin and the Russian Revolution by Steve Phillips, published 2000 http://en.wikipedia.org/wiki/Revolution_of_1905 http://www.historylearningsite.co.uk/1905_russian_revolution.htm

Characteristics Of Mega Events Criminology Essay

Characteristics Of Mega Events Criminology Essay Mega-events, such as the Olympics, are highly prized by national and civic planners, and simultaneously hold political, economic and cultural happenings Boyle and Haggerty, 2009. They are global spectacles, used by nations to impact directly on urban generation and international standing (Alhert, 2006). Their nature is one that is non-routine, and of limited duration, requiring management of large movements of visitors, co-coordinators, and athletes. Characteristics of mega-events makes them exceptional (Fussey and Coaffee, 2012), demanding organisation and planning that requires significant alteration to the governance of the host city or country. This, and the vulnerability that follows from this, makes them a key target for security practices. The pressures faced by host nations from international committees, such as the International Olympics Committee (hereafter the IOC) plays a significant role on the domestic security arrangements (quote) The appeal of hosting the Olympics is one that invokes inspirational images of athletes competing in idyllic settings (Burbank et al, year). The Summer Olympic Games have been called sport mega-events, because of their scale (Roche, 2009). London 2012 alone saw an extra 260,000 visitors to the capital (The Week, 2012). They are highly visible, deeply symbolic occasions that take place in large cities, combining intensive media coverage with astringent security and surveillance strategies (Boyle and Haggerty, 2009: 257). The exceptional nature of these events requires examination of the threats they face, the worlds counter-terror measures, extensive surveillance technologies, and how these intensified measures are often legitimized in perpetuity as part of the legacy of the games (Coaffee etl, 2011:3314). Further to this, the essay will go on to show how surveillance technologies are subsequently deployed across large swathes of populations, highlighting the prominent point of the public and private sector surveillance. (THIS IS HOW I HAVE ARRANGED THIS ESSAY! WHEN YOU FINISH READING CAN YOU LET ME KNOW IF YOU THINK I SHOULD TALK ABOUT HOW I USED DIFFERENT PHILOSPHERS THEORIES, OR SHALL I JUST KEEP THAT IN THE MAIN BODY?) Traditional Risk Since the end of the Cold War, there has been a shift in national and international threats. Where national borders were considered then to be the primary area to be secured (Quote!), more recently, ballistic missiles have taken a side line to more topical city threats, such as dangerous backpacks on the London Undeground, high-jacked aircrafts and attacks on subways. The way cities are demonised in terrorist rhetoric, for example, means mega-events intersect with a range of complex global processes. ( am I making sense So theres a link between the threats to these cities and then going on to them hosting mega events!) The scale of the Olympics makes them susceptible to these inherent complexities, most notably seen in the terrorist attack on the Israeli national team in the 1972 Munich Olympics. Such events demonstrate to the extremes of societal risks that are observed in their duration. With this said, traditional hazards, such as the adaptation and logistics of mega-events through infrastructure seen in the construction of venues, present external risks, as they alter the urban environment, and have ecological impacts. (Bubank et al, 2002). These risks have moved away from natural hazards towards man-made risks (Beck, 1992), and are ever-present, regardless of political context. New types of Risk Deterritorialization contributes to the global development of the Olympics, which in turn, gives way to global telecommunication, international travel and the migration and passage of goods across borders (Jennings, 2012), all elements that lead to the contagion of risk. This Olympic globalisation has produced a global industry of risk assessment and risk management. In 1996 the Atlanta Olympics saw the Clinton Administration along with his counter-terror team anticipate a plan for a hijacked plane being flown into the main stadium (Clarke, 2004). Post 9/11, the climate of insecurity (Yu et al. 2009: 392) has affected security planning further, and games that are perceived to display a high-risk naturally leads to an advanced security posture, with the planning of London 2012 being the most recent instalment. Some scenarios may seem bizarre and outlandish to a non-security expert (Peter Ryan, 2002), and would be considered unthinkable, for example, UFO invasion on the Olympic Park (Kawash, 1997). For the security officials, considering all scenarios, (check commas please!) however absurd, has now become common practice. The extremity of these scenarios is displayed in the U.S, where most military arguments about the future are an obsession with sci-fi, and a ruined future of a cityscape (Graham, 2010). New innovations, like the Boston Dynamics-built AlphaDog LS ( Rundle, 2012), a robot able to cope with all types of landscapes, reinforce these concerns. The attitude of thinking the unthinkable means even the more extreme precautions are permitted in light of perceived threats. All precautions are seemingly accepted by the public. As technology advances, host nations face growing pressure to meet the challenges presented to them by new forms of security vulnerabilities (Corer, 2012). Cyber-terrorism is one such example of new and growing threats. The 2008 Beijing Olympics was faced with 12 million cyber-attacks per day (Ormsby, 2010). This type of threat to the Olympics illustrates the change in both security and globalisation risks very clearly. Taking note of the 2008 Olympic cyber-attacks, the UK government took on an initiative to introduce new cyber-security plans for the London 2012 games, through IT networks, to help prevent internet crime (Home-Office, 2010). In terms of security risk, there was a conscience effort made to ensure the UK government would not over-regulate and restrict the internet. Further to this, the proliferation of real-time risk management technology, an innovation developed from previous games in Athens and Salt Lake City (Quote) into the 2012 Olympics, demonstrated how the UK con sciously put international efforts in the heart of strategies improving cyber security (Ashford, 2012), which is evidence of a consideration of the globalisation risks and effects. Foucaults position on governance, one generated from the governed rather than imposed by the government ( year)) was seen to reconceptualise the role of government. The Cabinet Office Minister Francis Maude (2012) quoted that the internet has flourished because it has been shaped by its users, not by governments, with this said, focus should be mainly on the network structure of the internet, where the information-sharing groups collectively form a basis for governance (Beresford, 2003). Conceptually, management of these network structures and sharing-groups which lead to cyber terrorism should focus on deterrence, rather than punishment; once the attack has occurred, no legal punishment will suffice. In short, punishment achieves little, and the impacts of cyber terrorist attacks are much worse, due to the difficulty in stopping viruses spreading around the globe. Again, this is a risk born from the effects of globalisation. Counter Terrorism Threats to mega-events are present in different forms, seen in a diverse range of groups that target them. Right-wing extremists were charged with the intent to cause explosions around the Olympic site in Sydney 2000, and ethno-nationalists who attacked the power supply to the opening ceremony in Barcelona 1992 (Fussey and Coaffe, 2012) are just two examples of threats to mega-events that embody an atypical nature. The threat of international terrorism at a mega-event was first seen with a series of aircraft hijackings and continuing onto the 1972 Munich Olympics when Palestinian Militants Killed 11 Israeli athletes, as previously mentioned. This was the first instance where Olympics and Terrorism were linked in popular consciousness (Cottrell, 2009). It was symbolic, in its demonstration of how terrorism is an eminent threat to all major events internationally. Cities bids for the Olympics have had to demonstrate how well they are able to deal with international terrorism in its many forms. Most recently, the bidding team for London 2012 had to project the citys anti-terrorist resilience before the IOC and international audiences. This practice acts also as insurance in gaining support for large security budgets, estimated to be around US$1.7 billion, in addition to new powers of surveillance and social control. In light of London 2012, UK police and local authorities referred to the hosting of the event as the greatest security challenge that the UK has faced since the Second World War (Graham, 2009). Since 9/11, the war on terror has taken front stage and formed a shadow around the world. The security steps that were taken forward to the London Olympics from Athens 2004 and Bejing 2008 promised to be on an unprecedented scale. Several contextual issues were highlighted about the risk of London 2012 being the site of major terrorist incidents. The recognition of London as a world city has bought it to the forefront of tourism, drawing in visitors and terrorists alike, granted for differing reasons (Ghaffur, 2007) (PLEASE CHECK THIS LINE!). The threat of terrorism to London, and the need for Olympic security, was exhibited in a very short space of time; the debate of security for London 2012 began on July 7th 2005, following the London suicide bombings, just a day after London won the Olympic bid. Londons transport system was overcome by four suicide bombers in an attack that killed 52 people (Guardian, 2010). These events were significant in illustrating the vulnerabilities of London and the Olympics to external threats and contingencies. Further to this, the attacks showed the spatial and temporal displacement of terrorism, where attacks do not need to necessarily take place at the time of the event to cause an impact. One of the more unusual aspects of the international side of sport mega-events is that rather than the more well known international terrorism, many groups that do target events have more local socio-political motives, for example the Euzkadi Ta Askatasuna (Reference ETA, year), contrasting to the more evident international element of the games. Such acts cause instability to the usual global security models used to police these events, (Fussey and Coaffee, 2012). The home-grown radicalism that was blamed for the 7/7 bombings in London can be seen as an example of an act with a local socio-political motive, caused by global issues another effect of globalisation which came to global attention, and had a profound effect on the 2012 Games. Security coming home. The Olympic Games of 2004 were an example of the interaction between surveillance and social control. There was intense monitoring in Athens, which saw interconnected networks of electronic surveillance gadgetry that were web-like, in that it spanned out and was able to expand into the whole city, for example through vehicle tracking devices and motion detectors ( Samatas, 2007)THIS IS MY EXAMPLE TO CLARIFY!These forms of control reflect the idea of Panoptican, from the political philosopher Jeremy Bentham (year) which was later advanced conceptually by Foucault (1997), where he stated that in the contemporary service of social control, the state takes on an all-seeing observation role, probing and monitoring the activities of all citizens. Given the existing level of public and private surveillance in the UK, the superpanoptic approach that was piloted in Athens 2004 was easily integrated into the heart of the 2012 Olympics. London has more public and private CCTV cameras than any other city in the world, and through this, the idea of total surveillance became realistic (Reenie, 2008:4). The 2012 mega-event was a stimulus to the process of totalitarian intrusiveness. (SOUND OK?) Policing has the general role of dealing with disorderly conditions in neighbourhoods, and is present in myriad police strategies, ranging from order maintenance to zero tolerance strategies (Eck Maguire, 2006). The work of the police today is very much influenced by the private sectors and cooperations (Boyle paper) and total-security now becomes part of the spectacle of mega-events. London 2012 saw the Metropolitan Police take conscious measures in ensuring their first steps would be to put technological footprints across London. Advancements in CCTV saw new software that was able to integrate all of Londons CCTV cameras, all able to follow individuals around the city (quote.), putting forward this idea of a surveillance ring (Coaffee, 2004) to allow tracking of the movements of traffic and people. Further to new measures being implemented, such as advanced facial and iris recognition software, able to identify suspects and connect multiple crime scenes (Quote), many public transport vehicles, along with the VIP buses that were used in the London games, had been equipped for the authorities to recognise if drivers were acting erratically, a trend often seen in hijacking. Here, however, lay a fundamental question in what act could be deemed as erratic, and what qualifications personnel should have to make such decisions, and control it. All of this fits well with Foucalts early work on governmentality, and how power only exists when put into action (219) and that it is belonging to institutions rather than the individuals that allow the institutions to function. Put simply, measure to prevent certain behaviour leads to the control of individuals. These technologies (can you tell the ones above?) have been used as a medium to exercise the big-brother state. New machinery that is used allows the incorporation of the police/military apparatus in London, under the pretense of keeping the country safe from terrorism (Morgan, 2008). In keeping with public reassurance, it now does matter too much as to whether or not the security systems actually work, but rather what their proclaimed standards are. Work from Oscar Rays (year) has shown that a large amount of money was spent on equipment in Athens, which did not work. What did work, however, was the aftermath of it being used for surveillance in Greek society. These notions were once again observed in 2012, where governments and security-related interest groups often magnified in the public mind the terrorist threat and climate of fear, all in aid of justifying the use of these control strategies that are used to counter anti-social behaviour and danger from other public spaces, and gain support to introduce identity cards that link citizens to a state held database (Coaffe and Murakmi Wood, 2006: 565). As the Olympics are for a limited period, it is assumed that they are only a temporary security zone, lasting for the duration of the games. This, however, is not the case. As these events are now a recognised target for security threats, society now gives leeway to governments, even if these protections transgress from the constraints that are normally accepted by the citizens, as a result of securtization (Waever, 1995). The London Olympics and its security did not exist in isolation, but in a continuum of the increasing state of security and surveillance. Extra powers the state may acquire are often met with scepticism by citizens, in fear they may become permanent. However, these security measures can be concealed in an object that is seen as the norm for such prestigious events, for example the stadium. IS THIS OK LINKS WITH THE NEXT POINT! The architectural methods of Secure by Design (quote) . They also extend to the outer surrounding areas, where explosives may be hidden; litter boxes and drains (Coaffee, 2010). These methods are far from temporary, but this reconfiguration spreads beyond the time of the event under the title of legacy, where counter-terrorism design features are used to embed security in community areas, thus legacy is often used to legitimate broader and more long-term goals. The advantage of many of these regeneration progammes is that they become a catalyst for the transformations of parts of the city, as was seen in London. The official Olympics website (2012) stated that neglected sections of East London would be redesigned into the East Village, a complex designed to be converted into thousands of affordable homes, a community centre, and grounds for local residents to enjoy sports. THIS BIT IS NOT FINISHED! BUT SO FAR IS IT OK? I AM GOING TO GO ON TO EXPLAIN ABOUT ETHNIC CLEANSING PROGRAMMES. ITS GOOD SO FAR, YEAH. These sort of modifications are not temporaryà ¢Ã¢â€š ¬Ã‚ ¦.. Military Urbanism- Security Sports have often been linked to the wide discourse of urban growth and regeneration (Schimmel, year!), aiding in a new form of Foucaults Boomerang effect, which has been fuelled by the extending neoliberal globalisation. A form of this affect is the way military and security complexes now try and apply defence-style technologies to the domestic sites of the city. This is mirrored well in light of the Olympics, where high tech security surveillance technology, originally from the battle-field, is now used in mega-events. Military-security complex works in two ways. The first is by implementing direct military-type approaches to security. The failed work of the contractor G4S for London 2012, and the mobilisation of British troops, demonstrated how traditional military approaches will always remain necessary. In this instance, the military were asked to provide an extra 3, 500 troops to guard the London Olympics. These games show that despite new technologies, the Olympic Games continue to appear over-reliant on the armed forces. (Guardian, 2012) The second way is by using the forces of existing military personnel. Working with these approaches does not necessarily mean that one is moving away from the past, ignoring the strength of military practices, but rather adding a contemporary twist to the traditional militaristic and urban transformations (Graham, 2010). These contemporary security strategies work through the blurring of boundaries between military and civilian spheres. With this, there is the entry of military technologies, strategies and logics for the surveillance and control of populations in and around the stadium. London 2012 saw the RAF use drones, carrying laser-guided bombs and missiles, including the Hellfire air-to ground weapons. Urban Militrisation/New Military Urbanism- GLOBALISATION BIT this is keeping with the same subject but globalisation bit. This growing interaction between sports mega events and the military-industry complex also allows analysis to be viewed through the window of globalisation, and marketing. The use of security technologies in mega-events is a multi-billion dollar industry. Lobby groups work hard to convince state leaders into becoming booming homeland security markets, because these markets of technology are growing very rapidly in times of economic decline. These practices allow security companies to pilot and display their exemplary security technologies, in the hope that it will lead to them being transferred into a more routine social environment. This trend was recognised by an analyst for the US-based Security Industry Association: the Olympics not only showcase world-class athletes, they showcase world class security technologies and services from our industry (Bristow, 2008). Israel is one such example. Recognised as the worlds leading participant in the security and surveillance industrial co mplex (Brzezinski, 2004), the countrys long history in dealing with suicide bombers, along with its highly developed and hi-tech economy, gives it the capacity to exploit the climate of fear that surrounds todays major sporting events. With this said, Israels representatives are heavily involved in the planning and facilitation of mega-event security. London 2012 was an example of this as Israeli initiaitves saw aircrafts being used for crowd surveillance, an expertise often used by the Middle Eastern country for population control (Kosmas, 2012). Security companies are not the only organisations that benefit from the Olympics. More international impact is in the form of commercial sponsors, the worlds largest growing form of marketing (IEG Network, 2001). Sponsers are very willing to invest in the games, as they believe the spirit of the spectacle means that spectators are regularly exposed to promotional messages under favourable conditions, where the customers can be relaxed and absorb corporate messages. (Abratt et al, 1987). A by-product of being a sponsor is the ability to temporarily relocate some of the staff to the host nation and allow investments to be made. This is a clear example of globalisation. The paradox here, however, is that once a hallmark is made between the cooperate sponsors and the games, their worldwide officers and staff become targets, which could lead to reluctance to participate. Further to this, the host nations terrorism threat level provides another reason why sponsors may refuse to participate in the events. This causes a massive crossover with countries looking like safe havens of security for a world-wide spectacle. In short, sponsors will be reluctant to participate in events happening anywhere that does not have a high counter-terrorism mechanism. IS THIS ALL OK SO MAYBE SOMEWHERE IN HERE I SHOULD ALSO ADD THAT IS IS THE PRIVATE SECTOR TAKING OVER? WHAT DO YOU THINK?! SO IM TALKING ABOUT SPONSERS HERE AND THE FACT THAT THEY WILL NOT BE WILLING TO PARTICIPATE IN ANYWHERE THEY THINK DOESNT HAVE A HIGH COUNTER TERRORISM MECHANISM! Conclusion NOT COMPLETE AGAIN!! ONLY FIRST PARAGRAPH! Mega-events present a special case for understanding the relationship between large-scale security practices and globalisation. It is an illustration of threats related not only to terrorism, but also to organised crime and political protest (Giuillanotti and Klauser, 2012). Securing the spectacle goes beyond the infrastructure, and into the economic sector, national reputation, and the impact of humans (Coaffee and Johnston, 2007). Cities that host mega-events are now expected to show a strong form of anti-terrorist resilience before international audiences (Boyle and Haggerty, 2009). Long after the event has left, surveillance technologies, urban redevelopment, and other transformations, may all remain in place as security enforced measures that structure, frame, and film everyday social life. Mega-events foster a legacy of knowledge, networks, and habits that have a bearing on the lives of not just those who attend, but the citizens of the city, long after the event. These events also display the invisible and visible security all in one, where the likes of infrastructure have an outward projection of security, through embedded electronic devices, hiding the other form ofà ¢Ã¢â€š ¬Ã‚ ¦.cleansing programmes! I ASSUME THIS BIT NEEDS TO BE FINISHED, HAHA. The line between free speech and human rights. Policing the police might take on a role of citizen duty. If the average citizen can be filmed why can the police not? While CCTV is now an every day norm of British society, what is becoming more common is the use of camera phones and social networking. AND THIS BIT! Each mega-event is part of an extensive process, where by the institutions and officials learn and advice on security lessons to their successors. The new hosts hope to improve on their predecessors and each hope to deliver spectacular security (Boyle and Haggerty, 2009), with this comes militarization and coordination that is needed to extend into time and place.

Films As A Form Of Mass Media Media Essay

Films As A Form Of Mass Media Media Essay When was the last time we spent without media. From the time we get up till we go to bed some form of media is being a part of us. One of the very early and important aspects of communication began with the research in mass media and its influence on public. Such kind of researches began in late nineteenth century and 20th century. The Birmingham center undertook cultural studies analysis on audience. They propagated the idea that the socio-economic life-situation of the audience, their education, class, caste, gender, ethnic and language position had to serve as environment to understand the meaning they make of the media products. In the 1990s Straut Hall redefined the Media Product function in terms of its being a structure of dominance in culture. Todays society is one that is shaped and molded by the mass media. Basically, culture is nothing more than a product of the mass media. However there was significant change in this field of cultural studies in the year 1980s to 1990s, which dealt with the complication of the model of culture as a site of hegemonic contestation between the dominant and the subordinate group. The theories related to culture and communication have depicted how the locations of distinct social groups affects their communication with the hierarchy of location (of the social group) been categorized on the basis of color, class, genders and sexual orientation. This led to the study of these minority groups differently. The revolution and upheaval in the sixties and seventies included a vibrant sexual revolution aided by the feminist movement. It was one of the turning points for the study of queer theory and culture. This change in the cultural studies in general and homosexuality in particular came with the emergence of radical interpretation of queer theory which originated from gay and lesbian studies as a post-modern interpretation of h omosexuality. Prior to the coining of the term queer theory, the study of deviant sexuality was called as gay and lesbian studies. 1.1 MASS MEDIA Mass media is a form of media which is addressed for large audiences (masses). It can be any form of media, broadcast such as television or radio, films, print media such as newspapers, magazines, pamphlets etc. In todays generation internet media can also be considered as mass media because most these existing Medias use internet media to have an advantage of the available medium in many regions of the world. This medium can be termed as the interactive media. To understand mass media first and important step is to understand communication. (Biagi, 1992) Communication is defined as an act of sending or receiving or understanding messages or meaning when delivered from one person to another. When communication is defined in relevance to mass media it can be called as a centralized form of communication. Wallace.C.Fortheringham A process of involving the selection, production, and transmission of signs in such a way as to help a receiver perceive a meaning similar to that in the mind of the communicator. (Andal.N, 1998) Communication through mass media is known as mass communication. Mass communication means using a form of mass media to deliver messages immediately to a large group of people. Mass media today has become one of the popular media as it focuses on the prominent stories which will be of interest to the general public audiences. It is a huge industry as many people all over the world rely on it for some purpose or the other. Mass media today has become one of the most critical parts of human societies. Understanding mass media usually is a process of understanding a population and its culture. These are the tools of large scale manufactures and the distribution of information and related messages. Medium is the message. (Marshall, 1964). This means that mass media are technologies but they are also messages. Todays modern mass media have several functions similar to those fulfilled by the traditional media in some ancient societies. Western modern theorist such as Denis McQuail identified the three major functions of a mass media that is 1) surveivallance of environment 2) interpretation of the information and 3) transmission of heritage. But in todays generation mass medias major functions are information, entertainment, advertising and development. (Dennis, 1998) Though these may be the functions of mass media it does not necessarily mean that audience will perceive mass media for the same reasons. In the book The Play Theory of Mass Communication, William Stephenson argues that fun is both the greatest impact and also the public service of the mass media. So for few mass media might be for time-fillers, for some to fulfill their psychological and social needs, few for information and entertainment. This means that people will perceive media the way they want and according to their likes. Mass media in India has been a major aspect of the society. Its here that media is not consumed for one particular purpose but it is consumed for all, such as information, television, controversies, news, gossips, and chats, psychological or any other. Indian mass media industry has very well understood the societies mind set and they accordingly produce the media products. Its only here where the traditional forms of communication still exist and it also considered being a mass media, example: Folk media. 1.2 EFFECTS OF MASS MEDIA Media effects mean different things to different people, for example for a psychologist effects will mean psychological, for a socialist it will be social so in this way effects differs from person to person. Effects can be classified in various types and gradations as short-term, long-term or deep, profound or superficial. Whoever says the first word to the world is always right said Joseph Goebbels, a mass communication practitioner of odious capability. (Klapper, 1960) . Mass communication is highly effective in creating attitudes on newly arisen or newly evoked issues and that the point of view first expressed will prevail over later persuasive communication in the country. Media effects have been debated and researched for decades together. The mass media has become such an important aspect and an everyday part of the society that many fail to realize the immense impact created by it on the society, aspects such as political, economic and cultural. Mass media today make peoples mind more stereotype and ideological. They do not let people have their own perception about the world rather they make public perceive what they think. For example the transgender. Medias portrayal of transgender has always been comical, tragic or untouchables due to which the society also disagrees to accept them as a part of them. This concept is called as the agenda setting. Media creates an agenda and puts its straight into the publics head and does not allow them to rethink over any of the information provided by it. The work by Harold Lasswell World Outside and the Picture Inside which was the reason for the emerge of the theory agenda setting also says; what public has in mind is totally different from the actual aspects. Walter Lippmann and Boas research on media says that media was biased and subjective and not objective. But at the same time media has positive effects on the societies also. Its only because of mass media the world has come clo ser and international and national information are reaching every region of the world. Media effects are in two ways 1) the individual effects and the societal effects. Today people spend more time in interacting with mass media. Of the approximately 40 hours per week of free time available to average person, 15 hours or 38 percent are spent watching television said Robinson and Goodbey 1997:126. (Ryan Wentworth, 1999). This is more time when compared to the other hobbies or outdoor activities of a human being in their free time. Because people spend much of the time with mass media there evolves an emotional involvement and those are often coined to be negative. As these individual effects are difficult to show empirically. In this same way are the societal effects, where media impact is straight on the society itself and our social world. But these societal effects are easier to see than the individual effects. Media effects can be both positive and negative effects. Media plays a major role in changing the public opinions because they have major access to people and this eventually gives a lot of strength to media. This strength can either be used in a positive way as in educating people or in an unconstructive way by misleading the innocent people. Media has the power to transform the whole society especially in developing countries it can become a weapon of mass destruction. For example : 26/11 Bombay attack media played both positive role in informing the society about second to second happenings of the attack at the same time media also played a role of creating confusion for the government and helping the terrorist with information. Media men have access to people and they have an audience. 1.3 FILMS AS A FORM OF MASS MEDIA The motion picture today is the greatest medium of expression the world has ever known. [It is] capable of giving life and form to all ideas, practical and emotional Its only limitation [is] human ingenuity-said by John.F.Kennedy, A.S.C, 1930. (Sanders Norris, 2001). John.F.Kennedy was an inventor and an American cinematographer. Another footprint in the sand of communication is after the invention of films. Cinema or film a form of Mass Media has become a powerful tool since the day it was introduced to the world. Cinematographic derived from the Greek word meaning movement and writing was invented by the Lumeire Brothers. In 1929, The Lights of Newyork the first talking film was screened. Cinema came to India in 1986, when the film Pundalik directed by R.G.Torney and N.C.Chitra was released in 18th may. The film industry has grown rapidly for the past years and has brought about a lot of changes in the society. Film Communication a process of transferring meanings or informations trough visual receptors. It is a man who creates this form of communication. There exists a cognitive relationship between a filmmaker and a viewer. Cinema is perhaps the mainstreams of all art forms and most accessed and most preferred especially in India. Therefore, it is very important to understand how the country, its people and its aspirations are represented in the cinema. Cinemas can be a form of art, entertainment, social document or critique. Film is a reflection of society for both the present and the past. Film and its innovation sometimes have to catch up to society but sometimes it leads the society and culture too. Lot of studies have been made on the impact of films on the societies culture but however there were a significant changes in the field of cultural studies in the 1980s and the 1990s which dealt with the complications of the model of culture as a site of hegemonic contestation between dominant and the subordinate groups. In todays system of movie making each of the six major studios makes less than 20 movies per year. The rest comes from individual producers, investment, distributors, exhibition each handled by different companies. Most of these independent movies are distributed by the six studios. Film as one such form of mass media has a great impact on the societies in many ways. Film industry is one of the most expensive and discovering industry in mass media. In true sense it is a dream industry. Today movies are created by one group, funded by the second group, sold by the third group and shows by the fourth group. The first group is producers, directors, second group are investors, third are distributors and the final group the exhibitors. Todays generation films have handled a lot of controversial topic has a main plot in this movies. Topics such as religion, terror attacks, transgender, homosexuality, child labor, poverty etc. Movies have actually brought to the world an idea about all the above through their stories and concepts. But at the same time they idealize or generalize few things for the profit sake and public believes it and it finally becomes a stereotype process. This majorly happens in Indian cinemas as most of the stories relate to the audience, if not the story at least segment of it will. Indian movies have a better impact on the audience compared to other movies because it is only in this country people go to the theatre as a practice, habit , sometimes even for information. 1.4 A BRIEF HISTORY OF INDIAN CINEMA (quote) The first and the foremost Indian film show occurred in1896 in July 7th just few months after the Lumiere brothers introduced the art of cinematography in 1895 in Paris. Western Film makers started to take movies such as Fair (1897), Our Indian empire (1897), A Panaroma of Indian Scenes and Procession (1898), and Poona Races 98 (1898), by using Indias exotic culture and its scenery. The first Indian film made by an Indian was Wrestlers by Harischandra S.Bhatyaddekhar in 1899.Harischandra S.Bhatyadekhar is also popularly known as Sava Dada. In 1905 the Elphinstone Bioscope company was established by J.F.Madan, who mainly the first businessman who first envisaged the business opportunity in the Indian film industry. Elphinstone Bioscope Company showed mainly western movies. The first Indian feature film , Pundalik was made in 1912 as a result of growing demand from the audience to see Indian characters on screen. But it was shot by English man and it never really received the acclaim of being an independent feature film. In 1931 the first Indian talkie was made Alam Ara which was a costumed drama of fantasy and songs and was a big success. Soon after this music and fantasy was seen as a vital element of filmic experience. For example: In 1932 Indrasabha has about 70 songs. This was the era when music became a vital part of the industry. Then fascination for social themes aroused and also interplay of tradition with modernization was included in the film making process.by the time of 1940s cinematography played a major role in Indian movies and was a great deal of westernization in the Indian popular cinema along with other features such as dance , fantasy etc. It was during this time that India was going through an economic and cultural changes and religion played a major role in the movies as well as the country. It was this time when directors and actors such like Bimal Roy, Raj Kapooe, Guru Dutt, V Santaram, Mehaboob Khan became popular in both India as well as abroad. The popular cinema art established a form of art , entertainment and industry in 1950s.It was during this period movies such as Awara (The Vagabond, 1951), Pyaasa (Thrist,1957), Kaagaz Ke Phool (Paper Flower, 1959), Shree 420 (Mr., 420, 1955), Mother India (1957), The Apu Trilogy by Sathyajit Ray consisting of Pather Panchali (Song of Road,1955), Aparajito (The Unvanquished, 1956) and Apu Sansar (The World of Apu, 1959) came out. In 1960, the Film Finance Corporation, which was later formed as National Film Development Corporation, for Financing and exporting films was established and by 1961 Film Institute of Pune was started. By 1985 Indian cinema became totally commercialized and few of those movies are Aradhana (1969), Bobby (1973) and Sholay (1975).While movies of 70s seen a lot of politics and social trends movies of 80s saw a violence in the cinema. By the end of 19th century and the beginning of 20th love, affection, passion became a major portion of the cinema and most of the movies were around this plot. Movies such as Kuch Kuch Hota Hai (1998) , Dilwale Dulhania Le Jayenge ( 1995 ) , Dil to Pagal hai (1997). Today Indian cinema has become more modernized and advanced in technology and with the script and the plot. 1.5 BOLLYWOOD CINEMA Cinema, one Indian film critic has summarized as temples of India (Gupta, 1981) .They are designed to seduce monumental spaces, gleam with light and color, vestibules are plastered with posters of gods and goddess and red carpet Exide desire and wantonness. Devotees come in huge number to take worship, to take darshan at the shrine of the new image, the oneiric image that will create their new gods and even new images. The growth of Indian cinema is obvious from its statistics: 800 films per year shown in more than thirteen thousand urban cinemas, viewed by about 11 million people every day and exported to about 100 countries. Between 1913 and 1981 more than 15 thousand movies were produced in India. Dadasaheb produced the first Indian film Raja Harishchand.In 1983 it was Indias sixth largest industry , grossing around 600$ annually and employees around 300 thousand workers. The first ever movie to be screened in India was in Watsons Hotel in Bombay on the 7th of July 1986. Cinema remains the cultural dominant of India, its sole model of national unity. (Chakravathy, 1993).The structure of the film is therefore designed in to accommodate deep fantasies belonging to extraordinary varied group of people, from illiterate workers to sophisticated urbanities. India is a large country with almost 180 official languages. Films are made in almost 30 of the official languages but among them few are very famous and commercialized. Those languages are Hindi, Tami, Malayalam, Kanada, Bengali; Telugu. This is a great deal of mobility in the Indian film industry. Having established their talent in the regional industry many have travelled and worked in both national as well as international industries, For example: A.R.Rahaman. This industry has spawned countless fan magazines consumed by an ever-widening community of national and diaspora readers. Even in the flourishing are of television, both local and cable, the impact of cinema is present everywhere. Indian cinema nursed a feeling of not being up to the standards of European or Hollywood cinema, not really world class. But with the international recognition of Sathyajit Rays Pather Panchali in Venice (1956) a sense of liberation aroused leaving aside the feeling of inferiority. Moreover since the movie hailed not only as good film but as great Indian film, Indian cinema became aware of the Indians. Among all the above Bollywood industries performance is on the top and its have more percentage of audience compared to others regional languages. Bollywood has its reach all over the country because majority of the people know Hindi in the country. In the context of Indian commercial cinemas basically Hindi cinemas or Bombay cinemas is the largest player. Bombay cinemas have seen to transcended class and also linguistic difference by emphatically stressing and Myths on Indian social survive in spite of the changes. (Raina, 1986). Bollywood fame at the moment is not limited only in South Asia but is also spread far across the ocean. Besides Asia, Bollywood movies are released in east Africa, the Caribbean, the Middle East, Britain, Canada, Australia, the United States and the other countries. People in the east as well as in the west recognize the Bollywood faces like Amitabh Bachchan, Shahrukh Khan and Aishwarya Rai. The dominance of Bollywood stars in the advertising world indicates the popularity of Bollywood. In previous days, Bollywood was famous for its music and dancing, but these days it is famous for the good and sensitive movies. Many Bollywood movies have explored various social issues such as child marriage, polygamy, dowry system, castes and terrorism. 1.6 HOMOSEXUALS Homosexuals or homosexuality is a romantic or sexual attraction between members of the same gender or sex. It is one of the three main categories of sexual orientation along with the bisexual and heterosexuality. Scientific and medical understanding is that sexual orientation is not only the choice but also due to complex interplay of the biological and environmental factors. Today there are many who still holds the fact that homosexuality is unnatural or dysfunctional, many research has shown that homosexuality is an example of normal variation in human sexuality and not a source of psychological effects. The most common terms for homosexuals are lesbians and gays. Lesbians are mentioned for females and gays for males though gay is also used to refer generally to both homosexuals males and females sometimes. These relationships are equivalent to heterosexuals in the same essential psychological respects. Since the movement of the 19th century, there has been a movement towards increased visibility recognition ad legal rights for homosexual people including the rights to marriage and civil unions and parenting, employment, and the introduction to the anti-bullying legislation to protect LGBT minors. LGBT a community in help for the minorities. LGBT expansion is lesbians, gays, bi-sexual and transgender. In use since 1990 the term LGBT is an adaptation of LGB which was a phrase replacing the gay community in late 1980s.This LGBT has become a main stream and has been adopted by many of the English speaking countries? LGBT is generally used to refer the non-heterosexual people or cisgender instead of exclusively to homosexual, lesbians and transgender. The stereotype images about lesbians, gays, and the LGBT people are conventional, generalizations or the opinion created through images or Medias portrayal. A negative stereotype is often a result of homophobia where as positive stereotype also exists but they might still be harmful or hurtful. Kinseys colleague and biographer, Wardell Pomeroy reports that : By the end of 1940 he had recorded more than 450 homosexual histories, enough to convince him that the psychologists were making matters worse by starting with the assumption that homosexuality was an inherited abnormality which could not be cured simply because it was inherent. Kinsey was convinced that there was absolutely no evidence of inheritance. (Pomeroy, 1972) Two theories are related to homosexuality. As in what causes the basic homosexuality attraction. First is that it is oriented by biological and genetic factors to put it in simple term they are born gays or lesbians. The other theory is that they are oriented due to social or environmental factors. In the public sphere later theory has appeared to be in decline and the former gaining favor in the recent decades. American Psychiatric Association, according to them until 1974 homosexuality was a mental illness. Freud had in fact mentioned about homosexuality several times in his writings and he has also concluded that homosexuality and paranoia are inseparable. And since many psychiatrists wrote copiously on the subject, it was treated on a wide basis. Homosexuals have not received proper treatment from the society before and now also. They have been abused in many ways including physical abuse. Hostility and discrimination against homosexual individuals are well-established facts. (Beril, 1990). In fact, more than 90% of gay men and lesbians report being targets of verbal abuse or threats, and more than one-third report being survivors of violence related to their homosexuality. 1.7 MEDIAS POTRAYAL OF HOMOSEXUALITY There are a variety of ways that the media affects and tracks the attitudes that the public has toward homosexuals. (Anderson, Fakhfakh, Kondylis, 1999). Media portrayal of homosexuality people ranges from both positive to negative aspects. The gay community is battling with the negative image and is trying its level best to overcome the stereotypes the television, films and other media have created. Because LGBT people look alike and just like anyone else the media often adds images to make the gay community visible as a difference in skin color, behavior, attitude, habits etc. In many form of entertainment gay are portrayed as promiscuous, flashy and incredibly bold. In recent day there is a huge wide spread views that gays should be omitted from child entertainment which invariably creates controversies. The people in the media were criticizing homosexuals as if there are no homosexual partnerships that exist with simply two people who love each other as in a heterosexual relationship. Most of the homosexual relationships are open and honest it is just that media does not focus on them as they are catering their interest in increasing homophobia by their representation of homosexuals in the news they air , television or films. When homosexuals are portrayed on network television they are usually presented in a negative stereotypical way. (Wood, 1996).However some form of representation of homosexuality which is immediate and economical is required in order to show the exact gayness to the audience. It is often not very practical to portray characters sexuality through narrative or any other form so media starts to rely on the typification. Gay typification makes people visible to the viewer and keeps the homosexuality if the character present throughout the text or the content. So wh ich are clearly both advantages and disadvantages to this form of typification. 1.8 HOMOSEXUALITY IN BOLLYWOOD MOVIES With all of the current media coverage homosexuals are receiving it should come as no surprise that more and more gay characters and gay-themed movies are emerging from Bollywood. These characters and movies often tend to fully personify the Homosexual stereotypes that exist in our society today. Many gay-themed movies have made their way into the lime-light and gay characters are popping up in dozens of mainstream movies. By looking closely at these movies and characters we can see the different messages Bollywood is now sending out about gays. Though homosexual stereotypes are emerging in the movie industry, the stereotypes being generated are extremely different from one another. The gay-themed movies often create one picture of homosexuals, while mainstream movies tend to paint an entirely different picture. Gays are portrayed in perceivably negative ways in some movies and in others their characteristics are emphasized in a positive light and in few in a comical way. Mainstream movies, nowadays, often include minor characters that are gay. With the addition of so many minor, gay characters, endless stereotypes abound in these mainstream movies. Unfortunately, mainstream movies often focus on the negative stereotypes that have already been generated by society, thereby furthering the impact they have on peoples views towards gays. The movies focus on surface-level aspects of homosexuals like the way they act, look, and talk. Most often the movies dont delve into the deeper sides of these characters, thereby sending the message that gays are one dimensional. One strong example of stereotypes in mainstream movie is Dostana. With all the conflicting stereotypes of gays in movies today, it is extremely important that people step back and look at the big picture. They should view some of the lesser-known gay-themed movies so they are presented with a more real look at homosexuals. Too often people try to peg homosexuals as definitively acting one way or another, and if we only view movies that perpetuate stereotypes than our personal ideas of homosexual behavior will most likely remain. Instead, it is important for people to understand that, outside of who they sleep with; gays are no different from everyone else. The movies selected are Dostana, Fire, Dono Y and Girlfriend. All the above four movies deal with the concept of homosexuality in the main plot. All the four movies are well known and have got its own reach among the public. Dostana : 1.9 PERCEPTION ` Perception is many things to us. It is the present, from which the memories of the past and thoughts of the future are created by the brain. It is our reality. People behavior and judgment is based on their perception. They interpret what they see and call it reality. Our perception is an approximation of reality. Our brain attempts to make sense out of the stimuli to which we are exposed. There are five stage processes in the formation of perception: Perception: Sensing Process Perception happens in one or some of the five ways below: Through something seen Through something heard Through something smelled Through something felt by skin Through something tasted. There is an abundance of stimulation hitting our senses in every moment hence some stimulation is filtered out in this state. Then, the stimulation are preserved for which we so our conscious awareness. Perception : Integration The second stage is the integration process which there is a comparison between the filtered in and filtered out data. This comparison largely depends on the area where an individual provides more attention. Thus the stimulus which we focus becomes the attended stimuli. At first, the attended stimuli are turned into images on the retina and later they are transformed into electrical signals that are transferred through the brain. Perception : Analysis This stage, an individual is aware of the environmental stimuli. Thus, they start analyzing and interpreting the perceived objects in order to provide meaning and context to the perceived stimuli. The analysis of the stimuli which an individual has perceived depends on many factors like that of past experiences, feelings, emotions, values, memories, cultural belief sets. The level and the degree of these influences are different for every individual. One same object can be perceived in different manners by different people. For this reason, perception is not called to be real. Perception : Reaction The process of integration and analysis finally leads to the decision making process and thats the time when action needs to be carried out. At the starting level, the decision is to act or not is solely dependent on motivation. Though, an individual feels at some instance that he/she is left with no option but there is always a set of alternatives from which an individual can choose. The meanings which are provided to be perceived stimulus will shape individuals choices and actions. Perception : Decision Making All decisions of human beings are based on the instinct of self-preservation. Every individual tries to maximize their chances of survival and preservation. This common instinct of motivation ends the similarity among individuals and we are hence different among each other from our thoughts, behavior and perception. When individuals express their individuality through their choices they move forward to achieve the goal of self-perception. The two factors affecting individuals perceptions are the internal and the external factors. Internal Factors The internal factors are related to the state of an individual. The internal factor is how the individual behaves for a situation on the basis of his/her mindset, emotions and understanding of the situation. Internal factors also include previous experience and the psychological factor also. An individual learns from the past experiences and moreover the perception is built many a times due to the past experiences. The psychological factor contains the emotions, feeling, behavior, motivation. Individual mindset is a mixer of emotions and hence at many times people tends to show mixed emotions which also affects the perception. External Factors It concerns with the people and the environment with whom an individual grows and survives. It also includes family, peer group friends, cultural group, etc. These peopl

A Contributing Member of Society :: Law College Admissions Essays

A Contributing Member of Society "My immediate goal is to gain admission to the College of Law. I know that I will be able to receive a top-notch education that will allow me to fulfill my potential as a contributing member of society. As a young boy, I dreamed of becoming a police officer or a fireman. Of course, many young boys my age harbored similar aspirations. However, I was not attracted to these professions for their obvious action and bravado. What made the people who performed these jobs special to me is that they stood up for others. They protected others when they could not help themselves. For me, they represented justice. In retrospect, I know these early admirations laid the foundation for my future interest in law. Another strong influence in my life has been the work of my father. As a business agent for the Teamster's Union and later as the president of the Transit Worker's Union Local 100, he was always mired in important labor negotiations. My father advocated and garnered better wages, benefits, and working conditions for his fellow public employees. It became clear to me that my father was performing a necessary, if not noble service in helping hard-working people attain a better livelihood. What was hard for me to understand, though, was that he had to fight for this. I asked him why the union was often at odds with the city. He explained that the city government had competing responsibilities to its workers, taxpayers, and the bottom line. In other words, they had to make the transit system run efficiently. The point he was trying to make is that there are two sides to every conflict and usually neither side is totally right or entirely wrong. This is a belief that I hold in the highest regard today. It can be applied to everything from labor relations, to a murder trial, and even to situations as relatively trivial as bickering neighbors. By the time I had reached high school I was fascinated with the social sciences. I relished my classes in civics, government, and history. During the course of my studies in high school I became more interested in the law and consequently the practice of it. This interest must have been sparked by my passion for helping people, my father's work, and societal improvement.

Men and Women, Perspectives on Communication Essay -- Gender Difference

Men and Women, Perspectives on Communication Throughout time it has been documented that men and women see things in the world from different perspectives. A man will pay $2 for a $1 item he wants but a woman will pay $1 for a $2 item she doesn't want. Men and women’s minds are truly wired up differently, and I’m not just talking about sex. Making love, for most women is the greatest expression of intimacy a couple can achieve. To most men, you can call it whatever you want just as long as they end up in bed. (Actually, I hope that is my last sexual reference.) A woman knows all about her children. She knows about dentist appointments and romances, best friends, favorite foods, secret fears, and hopes and dreams. A man is vaguely aware of some short people living in the house. These are just a few crude stereotypical examples of how men and women see the world differently. Heartfelt, meaningful and truthful communication or the lack there of, is a primary culprit in accentuating the differences between men and wom en. Women long desperately for it and men don’t know how to or are unwilling to provide it. These differences, although sometimes very subtle, are also apparent in many of today’s literary classics. In the short story by John Steinbeck, â€Å"The Chrysanthemums†, the husband and wife do not communicate effectively and both see their particular status in life differently. Stanley Kauffmann’s â€Å"The More the Merrier† is a funny look at four people’s perspective on what marriage would mean for them and how the secrets they kept will come ‘round to bite them. But, perhaps, not all men and women are as ineffectual at communicating as those I have highlighted in the first two examples. Judith Viorst’s â€Å"True Love† is an expression of how she knows what she shares with her husband is true love. Most men would probably agree with her. There is obviously great two way communication in her relationship with her husband.   Ã‚  Ã‚  Ã‚  Ã‚  Heartfelt, meaningful and truthful communication or the lack thereof, plays a large part in John Steinbeck’s â€Å"The Chrysanthemums† and Judith Viorst’s â€Å"True Love† and to a smaller extent in Stanley Kauffmann’s â€Å"The More the Merrier†. The stereotypical model tells us that the man is usually the one that can not or will not communicate. In chrysanthemums, there is a bit of a twist, Elisa is the one that has a hard time com... ...unspoken message. â€Å"It is true love because†¦ When I said that playing the stock market was juvenile and irresponsible and then when the stock I wouldn’t let him buy went up twenty-six points, I understood why he hated me.† (19, 23-24) Strangely, I think that most men would agree with Ms. Viorst’s expression of their true love. Genuine, heartfelt, meaningful and truthful communication between men and women is the key that can solve any problem. Men may be from Mars and women from Venus, but every once in a while, a couple to manage to split the difference and meet her on earth. Work Cited Poem Viorst, Judith. â€Å"True Love.† Literature, An Introduction to Reading and Writing. 2nd Compact ed. Eds. Edgar Roberts and Henry Jacobs. Upper Saddle River, NJ: Prentice Hall, 2003. 471. Short Story John Steinbeck, â€Å"The Chrysanthemums.† Literature, An Introduction to Reading and Writing. 2nd Compact ed. Eds. Edgar Roberts and Henry Jacobs. Upper Saddle River, NJ: Prentice Hall, 2003. 359-66. Play Kauffmann, Stanley, â€Å"The More the Merrier.† Literature, An Introduction to Reading and Writing. 2nd Compact ed. Eds. Edgar Roberts and Henry Jacobs. Upper Saddle River, NJ: Prentice Hall, 2003. 821-30.

Brain Structures Worksheet

Brain Structures and Functions Worksheet PSY/340 Version 3 1 Brain Structures and Functions Worksheet Provide a brief description for each of the following functions: 1. Basal ganglia Controls cognition and movement coordination as well as voluntary movement. It is also a component of the corpus striatum and it consists of the subthalamic nucleus and the substantial nigra (About. com, 2012). 2. Corpus collosum There is a thick band of nerve fibers and these are called the corpus collosum. This is what divides the cerebrum into two hemispheres, a left and a right.It creates communication between the left and the right sides by connecting them. It also transfers motor functions, sensory, and cognitive information between the two hemispheres (About. com, 2012). 3. Temporal lobe The temporal lobe has three general function areas. These are the superior temporal gyrus, the inferior temporal cortex, and the medial temporal cortex. The superior temporal gyrus I where our hearing and languag e come in. The inferior temporal cortex helps us identify complex visual patterns.The medial temporal cortex is what we rely on for memory (Pinel, 2009). 4. Occipital lobe This is what is used to help us analyze the visual input which guides our behavior. Without it we may act differently than what we currently act because we wouldn’t see things the same way (Pinel, 2009). 5. Frontal lobe Each frontal lobe has two very unique functional areas which are the precentral gyrus and the frontal cortex which is right beside it which have motor capabilities. Frontal lobes are also one of the four main regions of the cerebral cortex.This is where all your planning and decision making goes on and how you solve problems (About. com, 2012). 6. Cerebrum Cerebrum means cerebral hemispheres. When comparing the cerebrum to the brain stem it is known to be more complex and have an adaptive process such as your learning capabilities, your perception of things and your motivation towards doing things (Pinel, 2009). 7. Spinal cord The spinal cord combined with the brain is what makes up your central nervous system. It is a bundle of nervous tissue and supporting cells that extend from the medulla oblongata.It starts at the occipital bone and goes down to the area between the first and second lumbar vertebrae (About. com, 2012). 8. Cerebellum The cerebellum is also known as the â€Å"little brain†. It is a large convoluted structure on the brain stem’s dorsal surface and plays an extremely important role in motor control (Pinel, 2009). It is possibly involved in other cognitive functions such as language and attention. 9. Medulla The medulla oblongata is a portion of the hindbrain that would control the functions we know as breathing, heart and blood vessel, digestion, sneezing, and swallowing.The way that we move and the way the we hear are because neurons from the midbrain and the forebrain traveled through the medulla oblongata. The medulla helps the transf erence of messages between several areas of the brain and the spinal cord (About. com, 2012). 10. Pons When ascending and descending tracts and part of the reticular formation happen this can cause a bulge or what is also known as a pons. IT is located on the brain stem’s ventral surface. The pons is one of the major divisions of the Metencephalon and the other is the cerebellum (Pinel, 2009). 11. HippocampusHippocampus is a huge component of the brain of a human. It plays an important role with short-term and long term memory and spatial navigation. There are two hippocampus in each human brain and it is closely associated with the cerebral cortex (About. com, 2012). 12. Amygdala If you were to look at the temporal lobe of the brain you would find an almond shaped mass of a nuclei located very deep. It is a limbic system structure and it is what we would know as what makes us cry and what makes us get motivated to exercise. It is also part of the brain that helps you process fear, anger and pleasure (About. om, 2012). 13. Pituitary gland It is a gland that dangles from the ventral surface of the brain. It exerts hormones and it’s literal meaning is snot gland, how lovely. It is known as the master gland because of how it directs other types of organs and endocrine glands. Those glands would consist of the adrenal glands which in turn can be used to suppress or amp up hormone production (Pinel, 2009). 14. Hypothalamus It is located right below the anterior thalamus and it has a huge role in the regulation of several motivated behaviors.It works with the pituitary gland and is able to be connected to the nervous system and to the endocrine system. It synthesizes and secretes certain types of neurohormones. It controls your body temperature, how hungry you are, how thirsty you are, if you are sleepy or really really tired (Pinel, 2009). 15. Thalamus The thalamus is located under the cerebral cortex in a dual lobed mass of grey matter. It is what is used to have sensory perception and how to regulate your motor functions. It also controls how much you sleep and how much you are awake (About. com, 2012) [pic]

George Lucas Essay

No other 20th century filmmaker has had a greater impact on the film industry than George Lucas. His zeal for innovation forged a new relationship between entertainment and technology that revolutionized the art of motion pictures. His uncanny business acumen turned film licensing and merchandising into a multibillion-dollar industry. And his â€Å"Star Wars† trilogy ushered in the era of the Hollywood mega-blockbuster. Slide 2: In 1967, Lucas re-enrolled as a USC graduate student in film production. Working as a teaching instructor for a class of U.S. Navy students who were being taught documentary cinematography, Lucas directed the short film Electronic Labyrinth: THX 1138 4EB, which won first prize at the 1967–68 National Student Film Festival, and was later adapted into his first full-length feature film, THX 1138. Lucas was awarded a student scholarship by Warner Brothers to observe and work on the making of a film of his choosing. The film he chose was Finian’s Rainbow (1968) which was being directed by Francis Ford Coppola, who was revered among film school students of the time as a cinema graduate who had â€Å"made it† in Hollywood. In 1969, George Lucas was one of the camera operators on the classic Rolling Stones concert film Gimme Shelter. Slide 3: Lucas was born in Modesto, California, on May 14, 1944. As an adolescent who, as he says, â€Å"barely squeaked through high school,† Lucas aspired to be an auto racer. He changed his mind about a racing career, however, when a near-fatal accident crushed his lungs and sent him to the hospital for three months just days before his high school graduation. The experience changed Lucas. â€Å"I realized that I’d been living my life so close to the edge for so long,† he says. â€Å"That’s when I decided to go straight, to become a better student, to try to do something with myself.† Lucas enrolled at Modesto Junior College, where he developed a fascination with cinematography. Deciding on a career in film, he applied to the prestigious University of Southern California (USC) film school. USC was a milestone for Lucas. â€Å"Suddenly my life was film-every waking hour,† he says in a 1997 Playboy interview. He concentrated on making abstract science fiction films and mock documentaries, which caught the attention of director Francis Ford Coppola, who invited Lucas to sit in on the shooting of â€Å"Finian’s Rainbow.† Coppola also persuaded Warner Bros. to make a film of one of Lucas’ student movies. The full-length feature, â€Å"THX-1138,† a bleak Orwellian tale, was released in 1971 to modest reviews and a lukewarm reception at the box office. But studio executives were impressed with Lucas’ obvious talent. Slide 4: â€Å"THX-1138† had earned Lucas a reputation as a skilled but mechanical filmmaker devoid of humor and feeling. Founder Lucasfilm and released his second film, â€Å"American Graffiti,† which was based on his own coming of age in Modesto, would change that. Filmed on a shoestring budget of just $780,000, the film became a smash hit soon after its release in June 1973 and eventually grossed $120 million. The film got rave reviews and made Lucas a Hollywood sensation. It also proved to be a defining moment for Lucas, as both a filmmaker and a businessman. Studio honchos pulled rank and made changes to Lucas’ final version. The changes were minor, but the scars were lasting. â€Å"I’m very aware as a creative person that those who control the means of production control the creative vision,† he says. â€Å"It’s not a matter of saying ‘You’re going to let me have the final cut,’ because no matter what you do in a contract, they will go around it. Whereas if you own the cameras and you own the film, there’s nothing they can do to stop you.† And that’s exactly what Lucas set out to do. Industrial Light & Magic (ILM), which he created in 1975 when he couldn’t find an outside company to do special effects for â€Å"Star Wars.† ILM’s first breakthrough was a motion-control camera, which could revolve repeatedly around stationary objects while remaining in constant focus, thus simulating flight. To generate cash, Lucas turned ILM into a service company. Having created a market for special-effects-laden films, he began taking on work from other filmmakers. This way he could keep developing techniques while other people funded his research. Charging up to $25 million per movie, ILM was almost immediately profitable, supp lying the special effects for such blockbusters as â€Å"Jurassic Park† and â€Å"Twister.† Lucas funneled ILM profits into related businesses that sprang from his research. Skywalker Sound emerged as the industry’s top audio post-production company, then branched out to providing a digital sound system for theaters and homes under the name THX (in honor of his first film). And with the founding of LucasArts Entertainment, Lucas moved into video games, producing such top-sellers as the â€Å"Star Wars†-inspired Rebel Assault, X-Wing and Dark Forces. When negotiating with 20th Century Fox in 1975 for his next movie, â€Å"Star Wars,† Lucas cut his directing fee by $500,000 in exchange for things Fox regarded as nearly worthless: ownership of the film’s merchandising and all sequel rights. It turned out to be a brilliant move, one that assured Lucas the real independence and creative control he’d been seeking. â€Å"Star Wars† shattered all box office records, earning Lucas about $40 million in its initial release-merchandising would later bring him tens of millions more. Most important, Lucas owned the sequels, and thus a franchise. To maximize its value, he financed his first sequel, â€Å"The Empire Strikes Back,† himself, borrowing heavily to cover the $30 million production costs. Given the success of â€Å"Star Wars,† it was a good bet, but a huge risk-if the film bombed, Lucas would be bankrupt. â€Å"Empire† did exceptionally well, however, as did the third film in the trilogy, â€Å"Return of the Jedi,† which Lucas also financed. â€Å"Everybody has talent. It’s just a matter of moving around until you’ve discovered what it is.†-George Lucas No other 20th century filmmaker has had a greater impact on the film industry than George Lucas. His zeal for innovation forged a new relationship between entertainment and technology that revolutionized the art of motion pictures. His uncanny business acumen turned film licensing and merchandising into a multibillion-dollar industry. And his â€Å"Star Wars† trilogy ushered in the era of the Hollywood mega-blockbuster. Lucas was born in Modesto, California, on May 14, 1944. As an adolescent who, as he says, â€Å"barely squeaked through high school,† Lucas aspired to be an auto racer. He changed his mind about a racing career, however, when a near-fatal accident crushed his lungs and sent him to the hospital for three months just days before his high school graduation. The experience changed Lucas. â€Å"I realized that I’d been living my life so close to the edge for so long,† he says. â€Å"That’s when I decided to go straight, to become a bette r student, to try to do something with myself.† Lucas enrolled at Modesto Junior College, where he developed a fascination with cinematography. Deciding on a career in film, he applied to the prestigious University of Southern California (USC) film school. USC was a milestone for Lucas. â€Å"Suddenly my life was film-every waking hour,† he says in a 1997 Playboy interview. He concentrated on making abstract science fiction films and mock documentaries, which caught the attention of director Francis Ford Coppola, who invited Lucas to sit in on the shooting of â€Å"Finian’s Rainbow.† Coppola also persuaded Warner Bros. to make a film of one of Lucas’ student movies. The full-length feature, â€Å"THX-1138,† a bleak Orwellian tale, was released in 1971 to modest reviews and a lukewarm reception at the box office. But studio executives were impressed with Lucas’ obvious talent. â€Å"THX-1138† had earned Lucas a reputation as a skilled but mechanical filmmaker devoid of humor and feeling. His second film, â€Å"American Graffiti,† which was based on his own coming of age in Modesto, would change that. Filmed on a shoestring budget of just $780,000, the film became a smash hit soon after its release in June 1973 and eventually grossed $120 million. The film got rave reviews and made Lucas a Hollywood sensation. It also proved to be a defining moment for Lucas, as both a filmmaker and a businessman. Studio honchos pulled rank and made changes to Lucas’ final version. The changes were minor, but the scars were lasting. â€Å"I’m very aware as a creative person that those who control the means of production control the creative vision,† he says. â€Å"It’s not a matter of saying ‘You’re going to let me have the final cut,’ because no matter what you do in a contract, they will go around it. Whereas if you own the cameras and you own the film, there’s nothing they can do to stop you.† And that’s exactly what Lucas set out to do. When negotiating with 20th Century Fox in 1975 for his next movie, â€Å"Star Wars,† Lucas cut his directing fee by $500,000 in exchange for things Fox regarded as nearly worthless: ownership of the film’s merchandising and all sequel rights. It turned out to be a brilliant move, one that assured Lucas the real independence and creative control he’d been seeking. â€Å"Star Wars† shattered all box office records, earning Lucas about $40 million in its initial release-merchandising would later bring him tens of millions more. Most important, Lucas owned the sequels, and thus a franchise. To maximize its value, he financed his first sequel, â€Å"The Empire Strikes Back,† himself, borrowing heavily to cover the $30 million production costs. Given the success of â€Å"Star Wars,† it was a good bet, but a huge risk-if the film bombed, Lucas would be bankrupt. â€Å"Empire† did exceptionally well, however, as did the third film in the trilogy, â€Å"Return of the Jedi,† which Lucas also financed. Lucas further increased his fortune in the 1980s by producing the three Indiana Jones movies, for which he earned well over $100 million. Then, at the very top of his game, he largely abandoned moviemaking and poured his fortune into digital experiments that, he sensed correctly, would transform the movie business. Slide 5: * He quit an early career when he realized it wasn’t right for him (he wanted to be a race-car driver†¦until he almost got killed in a crash) * He made a type of product he loved and cared deeply about (movies) * He made–and learned from–lots and lots of different products (There were many Lucas movies before Star Wars) * He evolved (Lucas’s early movies were artsy non-commercial films) * He studied and learned from the best mentors (Francis Ford Coppola, among others) * He became friends with other extremely talented people in the industry (Steven Spielberg, among others) * He was shrewd (He sold his directing services to Fox Studios for Star Wars for cheap–but kept all the merchandise, licensing, and sequel rights, which Fox didn’t want) * He was very, very patient (Unlike many of today’s entrepreneurs and investors, Lucas wasn’t looking for a â€Å"quick flip.† Lucasfilm was founded in 1971, 41 years ago) Slide 6: There are three lessons to take away from reading about how George Lucas achieved success. One, grow a thick skin and be prepared for criticism and early failures. Every time you start a business, risks will be involved and sometimes things do not go your way. The key to a successful entrepreneur is how that person responds to the situation. Does he persevere through the tribulations? The second lesson is that every entrepreneur should know his or her strengths and weaknesses to give him or her the best chance at success. Knowing what skills need improvement will help limit potential pitfalls for you and your small business. The third lesson†¦just as Mr. Lucas was innovative in bringing out-of-this-world special effects to his films, entrepreneurs should also work hard to be innovative. What special effects can you use to amaze your customers?